Životopis (biografie):
Filmový režisér, producent, spisovatel a herec irského původu, Rex Ingram, se narodil v roce 1892 v Dublinu v rodině církevního hodnostáře. Po dosažení základního vzdělání absolvoval Saint Columba´s College nedaleko Eathfarnamu.
Krátce poté emigroval do USA v roce 1911, kde vzhledem ke svému výtvarnému talentu se zapsal na Yale University School of Art a začal studovat sochařský obor. Kolem roku 1913 se zcela náhodně seznámil s prostředím filmového studia a napsal několik scénářů, které byly přijaty a tím se uchytil ve filmovém studiu Edison a později Vitagraph a také MGM. To jej vedlo .....zobrazit více
1929 |
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![]() | ![]() | Tři vášně [37] | ![]() |
1927 |
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![]() | ![]() | The Garden of Allah ... . [35] | ![]() |
1926 |
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![]() | ![]() | Mare Nostrum ... . [34] | ![]() |
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![]() | ![]() | The Magician ... . [34] | ![]() | |
1924 |
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![]() | ![]() | The Arab ... . [32] | ![]() |
1923 |
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![]() | ![]() | Scaramouche ... . [31] | ![]() |
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![]() | ![]() | Where the Pavement Ends ... . [31] | ![]() | |
1922 |
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![]() | ![]() | The Prisoner of Zenda ... . [30] | ![]() |
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![]() | ![]() | Trifling Women ... . [30] | ![]() | |
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![]() | ![]() | Turn to the Right ... . [30] | ![]() | |
1921 |
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![]() | ![]() | The Conquering Power ... . [29] | ![]() |
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![]() | ![]() | The Four Horsemen of the Apocalypse ... . [29] | ![]() | |
1920 |
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![]() | ![]() | Hearts Are Trumps ... . [28] | ![]() |
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![]() | ![]() | Shore Acres ... . [28] | ![]() | |
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![]() | ![]() | Under Crimson Skies ... . [28] | ![]() | |
1919 |
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![]() | ![]() | The Day She Paid ... . [27] | ![]() |
1918 |
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![]() | ![]() | His Robe of Honor ... . [26] | ![]() |
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![]() | ![]() | Humdrum Brown ... . [26] | ![]() | |
1917 |
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![]() | ![]() | Black Orchids ... . [25] | ![]() |
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![]() | ![]() | The Flower of Doom ... . [25] | ![]() | |
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![]() | ![]() | The Little Terror ... . [25] | ![]() | |
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![]() | ![]() | The Pulse of Life ... . [25] | ![]() | |
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![]() | ![]() | The Reward of the Faithless ... . [25] | ![]() | |
1916 |
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![]() | ![]() | Broken Fetters ... . [24] | ![]() |
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![]() | ![]() | The Great Problem ... . [24] | ![]() | |
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![]() | ![]() | The Chalice of Sorrow ... . [24] | ![]() |
1922 |
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![]() | ![]() | Trifling Women ... . [30] | ![]() |
1915 |
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![]() | ![]() | Blindness of Devotion ... . [23] | ![]() |
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![]() | ![]() | Should a Mother Tell? ... . [23] | ![]() |
1929 |
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![]() | ![]() | Tři vášně [37] | ![]() |
1926 |
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![]() | ![]() | The Magician ... . [34] | ![]() |
1924 |
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![]() | ![]() | The Arab ... . [32] | ![]() |
1923 |
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![]() | ![]() | Where the Pavement Ends ... . [31] | ![]() |
1917 |
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![]() | ![]() | Black Orchids ... . [25] | ![]() |
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![]() | ![]() | The Flower of Doom ... . [25] | ![]() | |
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![]() | ![]() | The Little Terror ... . [25] | ![]() | |
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![]() | ![]() | The Pulse of Life ... . [25] | ![]() | |
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![]() | ![]() | The Reward of the Faithless ... . [25] | ![]() | |
1916 |
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![]() | ![]() | Broken Fetters ... . [24] | ![]() |
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![]() | ![]() | The Great Problem ... . [24] | ![]() | |
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![]() | ![]() | The Chalice of Sorrow ... . [24] | ![]() | |
1915 |
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![]() | ![]() | Should a Mother Tell? ... . [23] | ![]() |
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![]() | ![]() | The Galley Slave ... . [23] | ![]() | |
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![]() | ![]() | The Song of Hate ... . [23] | ![]() | |
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![]() | ![]() | The Wonderful Adventure ... . [23] | ![]() |
1929 |
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![]() | ![]() | Tři vášně [37] | ![]() |
1926 |
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![]() | ![]() | Mare Nostrum ... . [34] | ![]() |
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![]() | ![]() | The Magician ... . [34] | ![]() | |
1923 |
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![]() | ![]() | Scaramouche ... . [31] | ![]() |
1922 |
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![]() | ![]() | The Prisoner of Zenda ... . [30] | ![]() |
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![]() | ![]() | Trifling Women ... . [30] | ![]() | |
1921 |
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![]() | ![]() | The Conquering Power ... . [29] | ![]() |
1920 |
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![]() | ![]() | Shore Acres ... . [28] | ![]() |
1916 |
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![]() | ![]() | The Great Problem ... . [24] | ![]() |